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	<title>handel Archives  | Octave Box</title>
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	<description>Music for the Mind</description>
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		<title>handel Archives  | Octave Box</title>
		<link>http://www.octavebox.com/classical-music-eras/baroque/german-baroque-opera-3/</link>
		<comments>http://www.octavebox.com/classical-music-eras/baroque/german-baroque-opera-3/#comments</comments>
		<pubDate>Mon, 30 Mar 2009 12:18:37 +0000</pubDate>
		<dc:creator>Jason Andrews</dc:creator>
				<category><![CDATA[Baroque]]></category>
		<category><![CDATA[Almira]]></category>
		<category><![CDATA[baroque]]></category>
		<category><![CDATA[german]]></category>
		<category><![CDATA[Hamburg Opera House]]></category>
		<category><![CDATA[handel]]></category>
		<category><![CDATA[Keiser]]></category>
		<category><![CDATA[opera]]></category>

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		<description><![CDATA[During this time Handel join Hamburg’s opera orchestra as a violinist in 1703. There he wrote his first opera Almira in 1705 (“Encyclopedia” 292). The libretto from which it was based was written by Friedrich Christian Feustking and derived from the Venetian libretto by Guilio Pancieri (Hogwood 26). It’s a three act opera that was primarily sung in German with few Italian arias and a single aria that was sung in both German and Italian. The Opera involved dance as well, including ballet, a saraband and chaconne which had brought ...]]></description>
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