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	<title>Hamburg Opera House Archives  | Octave Box</title>
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		<title>Hamburg Opera House Archives  | Octave Box</title>
		<link>http://www.octavebox.com/classical-music-eras/baroque/german-baroque-opera-4/</link>
		<comments>http://www.octavebox.com/classical-music-eras/baroque/german-baroque-opera-4/#comments</comments>
		<pubDate>Wed, 01 Apr 2009 22:24:44 +0000</pubDate>
		<dc:creator>Jason Andrews</dc:creator>
				<category><![CDATA[Baroque]]></category>
		<category><![CDATA[baroque]]></category>
		<category><![CDATA[german]]></category>
		<category><![CDATA[Hamburg Opera House]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[Telemann]]></category>

		<guid isPermaLink="false">http://www.octavebox.com/?p=324</guid>
		<description><![CDATA[Many new, exciting and inventive operas came from the mind of George Caspar Schurman. He was one of the predecessors of Keiser to Hamburg’s opera theater. Although he was only there for a short while his more prominent works were done in his later years. Schurman was noted for his unique structure and care in [...]]]></description>
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		<title>Hamburg Opera House Archives  | Octave Box</title>
		<link>http://www.octavebox.com/classical-music-eras/baroque/german-baroque-opera-3/</link>
		<comments>http://www.octavebox.com/classical-music-eras/baroque/german-baroque-opera-3/#comments</comments>
		<pubDate>Mon, 30 Mar 2009 12:18:37 +0000</pubDate>
		<dc:creator>Jason Andrews</dc:creator>
				<category><![CDATA[Baroque]]></category>
		<category><![CDATA[Almira]]></category>
		<category><![CDATA[baroque]]></category>
		<category><![CDATA[german]]></category>
		<category><![CDATA[Hamburg Opera House]]></category>
		<category><![CDATA[handel]]></category>
		<category><![CDATA[Keiser]]></category>
		<category><![CDATA[opera]]></category>

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		<description><![CDATA[During this time Handel join Hamburg’s opera orchestra as a violinist in 1703. There he wrote his first opera Almira in 1705 (“Encyclopedia” 292). The libretto from which it was based was written by Friedrich Christian Feustking and derived from the Venetian libretto by Guilio Pancieri (Hogwood 26). It’s a three act opera that was [...]]]></description>
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